« ANTONY International Conference - Collaborative preservation for music with electronics »

Thursday October 21 and Friday October 22, 2021

Where: Amphithéâtre de la Maison des Sciences de l’Homme Paris Nord

20, avenue George Sand

93210 La Plaine Saint-Denis

Subway Station: Front Populaire, terminus of line 12

Bus: Front Populaire, lines : 139, 239, 512

The health pass will be mandatory for access to the conference

The conference is available on YouTube: https://youtu.be/ltaz3hOudo8

#antony2021

Program (preliminary)

Day 1 - Thursday 21 October 2021

9:00 - Welcome

9:30 - Introduction to the conference - Alain Bonardi (Paris 8 University) - pdf

Presentation of the main features of the Antony system - Serge Lemouton (Ircam) - pdf

10:00-13:00 - Session 1 - Research on the preservation of electroacoustic music
Chairman: Laurent Pottier

10:00: The transmission of practices in electroacoustic music through its oral tradition - Nicolas Debade (INA-GRM)
10:30: Creative archiving: towards the preservation of mixed and electroacoustic creation-research repertoire - Joao Svidzinski, Alain Bonardi, Antonio de Sousa Dias (Université Paris 8 et Faculdade de belas-artes da universidade de lisboa, Portugal) - pdf
11:00: ---------- Coffee break ------------
11:30: Adapt Doremus ontology to the specific needs of electroacoustic music - Clarisse Bardiot (Rennes 2 University), Bernard Jacquemin (University of Lille), Alexandre Michaan (Art Zoyd Studios), Jeanne Westeel (Art Zoyd Studios) - lien
12:00: The Gérard Hourbette collection: preservation issues for electroacoustic music composed for samplers - Alexandre Michaan (Art Zoyd Studios), Daniel Koskowitz (Art Zoyd Studios), Oudom Southammavong (Art Zoyd Studios), Clarisse Bardiot (Rennes 2 University), Gabriel Venner (Art Zoyd Studios) - lien
12:30: On archiving and opening up computer music - Maxence Larrieu (Gustave Eiffel University) - lien

14h30 - 17h30 - Session 2 - Preservation practices

Chairman: Jacques Warnier

14:30: Zwei Gesprach (1999-2021), 22 years of technological loyalty, György Kurtag (Scrime, Bordeaux) - pdf
15:00: Necessity to integrate the question of preservation from the design of creative tools - Yann Orlarey (Grame, Lyon) - pdf
15:30: ---------- Coffee break ------------

Chairwoman: Clarisse Bardiot

16:00: Can musicological analysis by reconstruction contribute to the preservation of the electroacoustic repertoire? Frédéric Dufeu (University of Huddersfield) - pdf
16:30: Electronic and mixed music at Casa Ricordi, Alessandro Olto (Casa Ricordi - Milan) - pdf
17:00: Take into account the conceptualizations of music for its preservation: between trace, traces and musical performativity, the case of UPIC, Sylvie Leleu-Merviel (Polytechnic University Hauts-de-France) - pdf

Day 2 - Friday 22 October 2021 - Around ANTONY system

9:00 - 11:00 Session 3 - Workshop - Hands on on the Antony system

with Antony team: Alain Bonardi, Serge Lemouton, Laurent Pottier, Jacques Warnier, Emilie Zawadzki

Serge Lemouton - Hands on - pdf

Emilie Zawadzki - technical aspects - pdf

Alain Bonardi - The example of Fil de Soi 1, between Antony and Github - pdf

Laurent Pottier - Pedagogy/Research/Creation : a repertory and some tools to be taught, documented, preserved and developed - pdf

11:30 - 13:00 : Session 4 - round table "European views on the Antony project"

Chairman: Serge Lemouton

Participants: Miriam Akkermann (University of Dresden), Kevin Dahan (University of Leicester), Hannah Bosma (University of Amsterdam - STEIM), Alessandro Ratoci (HEMU Lausanne), Giulia Sarno (Tempo Reale), German Toro-Perez (ZHDK) - pdf

14:30 -17:00 - Session 5- Perspectives

Chairman: Jean-Louis Giavitto

14:30-15:15: Conversation between Atau Tanaka (Goldsmith University), Hervé Bouley (Radio-France) et Guillaume Pellerin (Ircam)
15:15: ---------- Coffee break ------------

Chairman: Laurent Pottier

15:15-17:00: Round table: Institutional perspectives for the preservation of electroacoustic music with representatives of the Bibliothèque Nationale de France (Agnès Simon-Reecht, Pascal Cordereix), the Maison de la Musique Contemporaine (Estelle Lowry), Ircam (Cyril Beros), the CNSMDP (Maître Nguyen), TGIR Huma-Num (Johann Holland) and the Ministry of Culture (to be confirmed).